I am still thinking about the contrast between live people and quiescent art in museums.
Here is another example from our visit to the Anderson Collection at Stanford yesterday.
I have recently become very interested in a poet new to me, Jean Pedrick.
I'll tell you more about this soon. The one below is from her chapbook,
The Gaudy Book.. Each poem in this book has an epigraph
from Dorothy Sayer's book, Gaudy Night; in this case the epigraph
seems part of the larger structure, and confusing outside the context of the book,
so I am not including it here.
Making the kind of bower I needed
once for a one-armed doll and a lumped
clown and a blue-eyed bear
I crushed some fragile things my grandma
cherished under the shrubs.
She asked had I trampled her Blumchens.
I said I did not trample.
I have not told a lie since, willingly.
But a vow, a covenant, broken
is a lie? But if it has gone
from the inside breaking like reeds
it is not a lie, only a death?
I built a bower. I do not trample.
Blumchens come up again of their own accord.
The Gaudy Book, Juniper Press, La Crosse, WI, 1979, n.p.